DA Season Two: The Smoldering Encounters in the Garage Edit (Part 2 and 3 are the entire edits)
The Modern Take
AHH – I want this Florence + the Machine take completed
Thoughts of Richard Armitage came back to me: the shrill lady from Nottingham, the honorable man from Milton, and the evil guy trying to mess with Lucas/John. And Dan Stevens needs to get familiar with the Richard Armitage period drama kissing technique—oh that kiss was baaaad.
Two-hour Christmas special airing in the UK! And season 3! WOOT. But sad that there will likely be little Sybil + Branson action in the future.
To celebrate Richard Armitage’s 40th birthday and to commemorate the anniversary of Richard III’s death, this blog is participating in an extended series of RA blog events for the Richard III for Richard Armitage!/King Richard Armitage project (sign the petition, join the Facebook group). Enjoy the fun!
We have extended KRA Week since we still have more posts coming from blog contributors. It’s a super-sized week!
Servetus has another terrific post, this one focuses on the Richard III + Lady Anne relationship. I was also curious about the romantic possibilities for their courtship and proposal scenes in the RIII project, which would be a welcome shift from the sinister seduction of the Shakespearean version and would certainly not involve spitting.
Here is a quick summary of the historical romance: Anne Neville was the daughter of Richard Neville, the Earl of Warwick, who used Anne as a pawn to secure his own political power. At a young age, she was betrothed to RIII, but her father switched alliances and arranged for her to marry Edward of Westminster when she was 14. Then both her father and husband abruptly died and she had no allies since her brother-in-law (Richard’s brother) wanted to claim her part of the inheritance. RIII is said to have rescued her from this drama and the pair quickly married.
In Shakespeare’s play, Act 1 Scene 2 is the proposal scene. RIII woos Anne at the king’s funeral, telling her how he killed her husband and the king (her father-in-law) so that he could marry her. She becomes enthralled by his passion for her and implicit offer of protection and submits to becoming his wife.
Laurence Olivier + Claire Bloom
Laurence Olivier works his seductive charm in the worst haircut in the history of cinema, sending Bloom into a swoon. It almost seems romantic.
Kenneth Branagh + Stella Gonet, audio recording
Branagh goes for the crying and tender murmuring tactics. Gonet does the best job of showing Lady Anne’s rage.
Ian McKellen + Kristin Scott Thomas
McKellen does a commanding job of convincing Lady Anne and his energetic asides to the camera work well. Scott Thomas’ Lady Anne is beaten down and withdrawn in her consent. The least romantic proposal. The ring in the his mouth does not help.
Al Pacino + Winona Ryder (starts at 7:44), goes to Pt 4
Ryder seems a little lost here. Pacino hams it up. Yikes at the age difference. Very predatory. DON’T DO IT GIRL.
I mulled over possible actresses to play Anne (Servetus’ post also has an Anne actress poll), but was not coming up with many age-appropriate choices. One actress I did think about was the lovely and talented Claire Foy (b. 1984) from Little Dorrit since she was able to portray strength and vulnerability so movingly in that production. I also would like to see her do some quality work so that she doesn’t have to settle for being a witch in a Nicholas Cage movie.
Or perhaps Australian actress Abbie Cornish (b. 1982) who played one of Queen Elizabeth’s ladies-in-waiting in Elizabeth: The Golden Age and starred as Fanny Brawne in Bright Star (the video below contains the ending scenes of BS).
Badminton and The Story of Adele (hand-to-hand action)
One of Those Period Drama Eye Contact Scenes
Bertha and Pre-Wedding Jitters
Rochester Pleads With Jane Who Alights From Her Window, Horse Pursuit and “JANE” Bellowing Ensues
I wish these scenes were kept in the final film, especially the badminton scene. The development of the romance between Jane and Rochester seemed rushed so the proposal felt artificial. I’m on the fence as to the chemistry between Mia Wasikowska and Michael Fassbender. Perhaps because she is very young, and, visually, this is off-putting (in the book she is 18).
I need to see it again. It was a beautifully-shot film, very reminiscent of Jane Campion.